narrative

The view from here isn't the only view

The story you tell about this time in your life isn't the only story. And the vantage point from which you're looking is not the only vantage point.Looking forwards, it might seem clear that you're on the way to a great success, or an inevitable defeat. Maybe it looks like life is all sorted: you've arrived and there is not much more for you to do. Or perhaps, from the depths of your confusion, it appears that you're lost and can never find your way back.Life is so much bigger than each of us, and so much more mysterious, that any story you have is at best partial. Looking back, what feels now like inevitable defeat may turn out to be a time of building strength: the strength you'll need to break out of the constraints that have been holding you back. What feels like being crushed by life could be the birth pangs of a new beginning. Maybe the solidity of your success so far turns out to be everything that will be taken from you.As Cheryl Strayed writes to her despairing younger self in Tiny Beautiful Things, it can turn out that "the useless days will add up to something", that "these things are your becoming."Everything changes. Nothing is ever just what it seems. And though you may feel sure you've understood your life, remember that it's very difficult to see which are the important parts, and quite why they're important, while you're still in them.

Photograph by Justin Wise

On the economic narrative, and its limits

Behind any life, and any society, are numerous background narratives that give us a sense of who we are, who other people are, and what’s possible for us. They tell us how we can live, what’s of value, and how to relate to one another. And they tell us what’s important to pay attention to, and what’s marginal.Sometimes the background narratives are visible and explicit in a family or community, such as the way in which biblical narratives give a sense of belonging and orientation to people who are part of some religious communities. But most often – even when there are visible and explicit narratives available – the narratives we actually live by are invisible, and we see them clearly only as an outsider entering a society for the first time, or when the narrative runs into trouble and starts producing unintended consequences.For the last century or so in the West, we’ve lived in a background narrative that’s directed our attention most strongly towards what’s measurable, particularly what’s financially measurable, and has discounted almost everything else. The bottom line, financial return on investment, this quarter’s results – all have been taken for what’s ‘real’.And at the same time, we’ve considered what’s not measurable largely ‘unreal’ – the quality of our inner lives, our relationships with others, supportive and close-knit communities, the care we give and receive, our capacity to nurture and appreciate beauty. We can’t pay much attention to these, we say, because in the ‘real world’ there are tough business decisions to make. There are profits to be made.I’m not arguing that profit is somehow unreal, while beauty and care are real. That would be an equally narrow way of looking at the world. But it’s becoming clearer and clearer how our narrowness – our failure to appreciate and include all dimensions of human life in our businesses, institutions, and in our public discourse – is wreaking havoc in our present and seriously limiting our capacity to respond to the complexity of the future we’re creating. The shocking rise of inequality in even the richest of the worlds societies, the shaking of our financial systems, our seeming inability to respond creatively to climate change – all ought to have ourselves asking whether what we take to be unquestionably true about how to live is, really, deeply questionable.We urgently need to expand our horizons – to start to take seriously that which we’ve marginalised in the relentless colonisation of all aspects of human life by the narrative of economics.

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Midrash

In the Jewish tradition, any story is an invitation to interpretation, to imagination, to invention. You read a story not so much for what's true in it, as for what can be imagined into the spaces. So a straightforward story can become the launching point for wildly differing interpretations, all of which are held alongside one another even if they're paradoxical, mysterious or downright contradictory.It's a tradition known as midrash and it embodies a commitment to see things from many angles, to have many different kinds of explanations for what might initially look obvious and simple. In midrash there's no such thing as a story with a monopoly on the truth.Often, it's helpful to do midrash with your own life, with your work, with your relationships.You probably already have habitual ways of explaining who you are, who others are, what's happening, and what's possible. Perhaps you currently have only one telling available to you, one that's so familiar, so trusted, you can't even tell that it's there.Making midrash from your own life involves starting to tell a different story from the one you're currently telling. Maybe you're not the righteous, wounded hero after all. Perhaps they're not out to get you, but are trying to help. Maybe you're not as in control of your life as you think - or perhaps you're much more in control already than you knew. Maybe it is possible for you to be someone who asks for what you want. Perhaps there's a contribution you're making that you can't see because of your self-critical stories. Maybe life has an invitation for you that's not going to come from trying harder and harder until you work yourself into the ground.These are just a few of the stories you might have about yourself and life, and a few of the alternatives you could start to imagine. You could also ask others how they'd tell the story of your situation - great midrash can begin simply from here.Even if you have only one way of explaining your life, it's already midrash, already just one interpretation of many that are possible.So much opens, and so much suffering can be avoided, when you stop believing your own stories as the only truth.

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Declaring Meaning

When we find out how much of the world is made up - by us - it's tempting to pull everything apart. We pull apart institutions - because we see how groundless their authority is. We pull apart politics - because as we see more into the ordinary lives of our politicians we discover that they are ordinary and flawed like us, and we no longer have reason to simplistically trust either their intentions or their abilities. We pull apart relationships - because we don't feel any reason to commit, beyond our moment-to-moment likes and dislikes. And we pull apart beliefs and practices that can bind us together.This step - using reason to see through what we'd taken to be unquestionably true is in so many ways a necessary developmental step for each of us and for our society. Indeed, it's the step that allowed us to discover science and its methods of rigorous, grounded inquiry. And it made it possible to undo the divine right of kings to rule over us, and to bring about democracy.But it's also so easily the route to nihilism: the move to render everything meaningless, everything pointless, everything disposable as we discover that the structures and stories and roles we used to trust were made up by other people. And, as the philosophers Kierkegaard and Nietzsche warned us, this ends up with us tearing meaning apart too, as we find out that what meaning we encountered in the world was only there because other people declared it anyway.And so the next step important after undoing it all is to find out that it's also within our power to put things back together, to declare meaning for ourselves. To find out that there are many kinds of truth, including those that take into account goodness and beauty as well as just reason. That out of the fragments of what we have taken apart, we can still choose practices, people, relationships, stories, commitments and vows to live by that invest life with purposefulness, care, and dignity.  And that this is possible, and necessary, in every sphere of life - in work, home, community and politics - specifically because we've found out that without it there is so little for us to stand on.

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Better off knowing this

Behind all our attempts to manipulate and control the world so it's just as we'd like it (and behind the pain, frustration, sorrow and disappointment that our inevitable failure brings), we're just trying to find a way to feel safe and to feel at home.I think we'd be better off knowing this.Then we'd set aside our mission to control what can't be controlled. And we'd work on how to feel safe and at home in the world as it is - in this ever-changing, surprising, vast and mysterious life in which we find ourselves.

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Taking responsibility for our stories

Given that we are the only creatures (that we know of) that can tell stories about ourselves;and given that we live totally, inescapably in the stories we tell;and given that stories of any kind can be more or less truthful, more or less kind, more or less generous, more or less creative, more or less freeing of our enormous potential...... given all of this, don't we have a profound responsibility to question the stories we were handed? To not just take things 'as they are'?And to actively find - and consciously live by - the most truthful, kind, generous, creative, possibility-freeing stories about ourselves, about others, and about life that we can?

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Our stories about our feelings

When you feel emptiness, what do you do?

Reach for something to eat?Turn on the TV?Pick up the free paper on the train?Hide away in sorrow and resignation?Zone out?Lash out at your colleagues or your family?Find someone to blame?

What's the story you're telling about what this feeling means that has you act in this way?We're so quick to tell stories about what we're feeling. This feeling is something to be fixed, a sign I've done something wrong, proof my life is heading nowhere - or that it's heading somewhere. It's because of you, it's because of my parents, it's to be avoided at all costs, it's precisely the thing I need to feel in order to know myself and be ok.But our familiar, habitual stories about our feelings can imprison us in smaller worlds than we deserve.There's always another story you can tell.Maybe the emptiness is because you're tired. Or you're under attack from your inner critic. Maybe it's pointing you towards something essentially true about all of our existence - that everything is changing all the time and there's not so much for us to stand on.Or maybe you're feeling it because you've forgotten something important - your essential aliveness, the deep roots of your history and biology, all that supports you moment to moment.Each of these stories points to a different course of action. Same feeling, different response. Sleep perhaps, or an act of self remembering (creating art, meditation, poetry, music, prayer, beauty, touch).Or maybe what to do with what you're feeling is simply to allow it to be for a while, no correction or compensation required. And no story either. Let it do its thing and watch as it eventually, inevitably, and with no apparent help from you, changes you and turns itself into something else.

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Heaven and Hell

In the The Barefoot Book of Jewish Tales written by my friend Shoshana Boyd Gelfand is "Heaven and Hell", a gorgeous story for children and adults about how our interpretations and practices are constantly shaping the world around us.In the story, an elderly woman named Ariella is given a tour of each of two possible after-lives. Hell, to her surprise, is an elegant palace nestling in beautiful gardens. Tables are set with delicious food and everyone is gathered for a feast. But as Ariella looks closely she sees that they are all frail, desperate, and starving. Their arms are held straight by long splints and because of this they are unable to bend their elbows to bring food to their mouths.Hell is a beautiful paradise filled with longing, sadness, meanness and misery.Isn't much of the world this way?Heaven, even more surprisingly, looks exactly the same. Same palace, same food, same splints. But here everyone is well fed, and happy. The difference? The residents of heaven know about kindness, and have learned to feed one another. The very same physical situation with a change in narrative and different practices brings forth a radically different world.It's so easy for us to imagine that the world we inhabit is fixed, solid. We come to believe that we are a certain way, and the world is a certain way too. But it's more accurate to say that we're always making the world together through our interpretations and actions - what's 'real' about the human world is much more fluid than at first it might seem.

And of course the worlds we bring into being in turn change us. The narcissistic, individualistic, cynical world brought about by the residents of hell keeps their meanness and their resentment going, and their starvation. And the world brought about by the residents of heaven amplifies their kindness.

When we head off the possibility of change by claiming the world is, simply, "the way it is", or when we say "but in the real world this could never happen", we need to understand that we are active participants in having the world stay fixed in its current configuration. The world is never only the way it appears. And that ought to be a reason for great hope for our families, organisations and society. And a call for our vigorous action on behalf of an improved future for all of us.

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What the storm is all about

When you're in the midst of a storm in life - some difficulty, confusion, fear, or uncertainty - it's easy to imagine that something must have gone terribly wrong.After all, aren't you meant to be successful? Aren't you meant to be on top of life? Aren't you meant to be in control? To have it all figured out by now?And if you're in trouble isn't it clear that it's your fault?The narrative of personal striving and personal success that so many of us have taken up as the benchmark for our lives doesn't help here. It's too individualistic, too solitary. It assumes you have infinite power to shape your life. And that your success or failure, your happiness or your despair are down to you alone. It's not a big enough story to account for the kind of difficulty you're in, to account for being a participant in a world that is so mysterious and so much bigger than you are.No, there's a bigger, more generous account of finding yourself in life's storm that goes far beyond blame and fault, far beyond success and failure. Haruki Murakami has found the words to express it beautifully and clearly, in his Kafka On The Shore:

“Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts.

Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn’t something that blew in from far away, something that has nothing to do with you.

This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step..."

But the storm will pass, he assures us, and once it is over:

"You won’t remember how you made it through, how you managed to survive. You won’t even be sure, in fact, whether the storm is really over.

But one thing is certain.

When you come out of the storm you won’t be the same person who walked in.

That’s what this storm’s all about.”

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The peril of having one story

The problem with being sure of your story - the one you have that explains to you who you are, who other people are, and what's happening - is what is inevitably left out.Your confusion, longing, terrified waking in the quiet hours of the night, your disorientation -

A sign that it's all over, and that you're lost?

An inevitable part of the human condition (experienced by many more of us than will ever let on)?

The birth-pangs of something new? Some new way of living, thinking and relating that is emerging into life?

Each story about what you're experiencing leads to a different place, to different possibilities.Each story calls on a different way of relating to yourself and others.Each story is sustained by different practices (what you're doing repeatedly in your actions, your thinking that keeps it going).And none of them is ever the whole story.Part of the practice of a life fully lived - and leadership well done - is the practice of finding new ways of telling what we're sure we've already understood.

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